Showing posts with label love scenes. Show all posts
Showing posts with label love scenes. Show all posts

Sunday, October 19, 2008

Love Without a Blaring Bonk.


In an effort to remove my mind from all that is happening in this big scary new world of ours, I pondered on the many movies I have seen over the years and reflected on what makes a truly marvellous love scene.

I am writing, of course, from the female point of view but I take comfort in the fact that some men of my acquaintance find these love scenes erotic and sensual also. I’m also far more taken in what is left to the imagination. I find graphic grinding a complete turn-off.

And, as an aside, I am amazed at the dearth of other-than-hetero sensuous love scenes out there in movieland. And mixed race. And First Nations peoples. And ?

Also, please bear in mind I’ve only made a partial list and in no particular order, there are many, many more. I would be interested in comments suggesting others.

The Big Easy (1987) - On the bed as he kisses her back.
Ryan’s Daughter (1970) - Off the horses, in the grass.
Pride and prejudice (1995) – Oh, that long, long look from Darcy as Elizabeth sits at the piano.
Hill Street Blues (1981) - She’s in the bath, with Frank shaving her legs.
Dad (1989) - They dance.
The Ghost & Mrs Muir (1947) - The ending.
Holiday (1938) - He realizes he’s going to marry the wrong sister.
Coming Home (1978) - In the wheelchair.
I know where I’m going (1945) - She dances with him at the ceilidh to “Nut Brown Maiden” – and he sings ‘she’s the one for me’.
It happened one night (1934) - Where else? In the motel room with the blanket divider.
The King and I (1956) - Shall we dance?
Lifeboat (1944) - Tallulah and her smouldering looks at John Hodiak in front of everyone on the boat.
Lost in Translation (2003) - Unstated, but oh so palpable.
Love again (2003) – Philip Larkin and understanding why he attracted so many women.
Million dollar Baby (2004) – Love surpassed the limitations of the human spirit.
Moonstruck (1987) – Cher at her best, loving the unlovable.
Now Voyager (1942) – Why wish for the stars when we can have the moon?
The Painted Veil (2006) – When they realize they are in love.
The English Patient (1996) – Candles in the courtyard.
Persuasion (1995) – Finally. In the busy square.
Prince of tides (1991) – Love as healer.
Impromptu (1991) - George Sand, Frederic Chopin. An unweathered Hugh Grant.
Carrington (1995) – Love and desire, uniquely explored.